Shard Twenty-Two - Evolve/Advance

Let's talk art. (or specifically, talk about it in more detail than I normally do.)

Lately I've been noticing a lot of things about my own art. I don't know what exactly to attribute this to; perhaps it's the deviantART chatroom I've been hanging out in lately, perhaps it's connected to the changes I've been making in my style, or maybe it's just the weird mood I've been in. (which itself may be attributed to the long nights I've been having over the past few days.)

But whatever the reason, I've been having an easier time sitting back and looking at my art; not my artwork, but my art in general. my style.
One thing I've always been striving for is speed, as a matter of fact. My goal has always been to get comfortable enough with my artistic talents to be able to just sit down with an idea in my head, and within the day, have a finished piece of artwork. A result that I was actually happy with.

But looking back, I noticed a trend. Yes, my artistic talents keep getting better and better. More details, less mistakes, better quality in general. (nowhere near perfect, but progressing nicely.)

But I've also been getting slower and slower as a result.

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It's brought me to re-think my goals a bit. Why am I getting slower, even though I'm getting better? It's my nature.

I'm learning new techniques time after time, and with every new tip I gather, I turn them into tricks to apply to my work.
And I've built up a pretty good pile of tricks.
Now, sure, I could probably emulate some of my older works even faster than ever. But it's not in my nature to "waste" my skills. So when I work, I apply all my tricks.
Now don't misunderstand me here; I'm quite happy with my style, no matter the speed. A few years back, I wouldn't have guessed I'd be working at this level. I still have even loftier expectations, but it is human nature to constantly want to be just a bit better than you are.
But the end result is, I have more skills. And I use more skills. And I take more time.

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So here comes the re-thinking.

It's just not in my nature to learn skills and not put them to use. And for me to realistically just get faster, I'd need to not learn new skills, but simply master the ones I have.
Which is a great option, but not for me.

It isn't my style.

I'm constantly learning new techniques. Evolving my style, morphing it. My latest art project is an image of Myrkr-sefa; I've been working on it off/on for about two months now, and my art style has already changed halfway through the project. (I'll probably end up going back and re-doing some of the earlier sections as a result.)
And I wouldn't trade that advancement for anything. It's why I enjoy art. The feeling of learning something new - that sense of accomplishment when you stumble upon a new technique - it's pretty great. So what if it means your three-layer Photoshop project now has five layers in it, and takes an extra three hours to finish. (on that note, my Myrkr image currently has upwards of five layers, per finger, per hand, and a total of probably fifty-plus so far.)
The results are worth it. When you can put the final touches on a bit of artwork, sit back, and say, "this makes my last project look like crap in comparison."
And sometimes you can't top your last project that easily. But that just makes the next best artwork feel that much more rewarding.

So what are my goals now?

I'm not sure.
It's certainly not speed anymore. Sure, I want to be more comfortable with my style; but in the meantime, I'm perfectly happy with spending a few extra hours - or weeks - on a project to make it that much better.
I guess the one goal I had before, and still keep, is to just keep getting better.

And really, do I need more?

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ĜЄΘ.>

Shard Twenty-one - Getting The Fires Started

The whole storyline process for Fragmented Infinity is starting to feel more like a buildup than a rolling start, but hey, even an illusion of progress is better than nothing at all, right.

More and more details are getting fleshed out, but as before, the story itself is still in the starting gates. Something's bound to burst soon, either the metaphorical gate, or my head. I'm hoping for the former.

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As I add more and more to the story, I've been finding the naming process to be especially intricate; while it's easy enough to just start naming everything, if you do it without regard for the setting, you lose so much of the understory.
Especially in Fragmented Infinity, keeping a common theme for each seperate Shard (world) is proving difficult, but surprisingly rewarding. One particular one is quite recent; the world itself is still unnamed (until recently, it's mostly been centered around one of the characters, with the world more of an afterthought). With a new character finding his way into this world, I found a lot of pieces falling into place; suddenly the art direction seemed a little more solid, and the "feel" of the world got a bit more flavor to it.

My naming conventions have always been centered around foreign languages, and generally involve some butchering - the more the better - ranging from my first names, created using "engrish" (Jioruji Derako, Anjiru Deruku), to my Vynaiocc world (this one was based on Greek, "translating" Greek letters to similar-shaped romanizations). As I've added more and more worlds to Fragmented Infinity, I've found myself needing to get more and more creative; for example, the world of Thera is party based on the latin "Terra", and also happens to be an anagram of "Earth" (fitting, for a world that is essentially a parallel version of our Earth).

I suppose I should give this rambling a point; some advice for the aspiring gods and goddesses of their own fantasy worlds.
Don't discount a name for being "too strange"; you'll often find these to be the best of the bunch. Even if you don't use a name like this, it can lay the foundation for a more fitting name.
One thing I've read (a bit of advice for writers) is, don't underestimate your readers. The world today is a smarter and smarter place; give your readers some credit, they probably can wrap their heads around even the most unwieldy names.
Certainly, if it's something nobody can feasibly pronounce, it'll be less memorable; if I could go back and change one part of my storyline, I'd probably work harder on my character names (Jioruji Derako is already a little too well-defined for me to change now, though). But if the name fits, wear it. I mean, keep it.

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ĜЄΘ.>